See CV for complete list
2020
Felipe Cervera and Eero Laine. “The Planet, Everyday: Towards Collaborative Performance Studies.” Text and Performance Quarterly 40, no. 1 (2020): 90–107.
Eero Laine. “No Men, No Boats: Directing and Dance Dramaturgy for Jaclyn Backhous’ Men on Boats.” Theatre/Practice 8 (2020).
Eero Laine and Janet Werther. “Rehearsing Men on Boats: A Dialogue.” Theatre/Practice 8 (2020).
2019
Eero Laine. “World Building in the WWE Universe.” In #WWE: Professional Wrestling in the Digital Age, edited by Dru Jeffries, 25–46. Bloomington, IN: Indiana University Press, 2019.
Broderick Chow and Eero Laine. “Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW.” Women & Performance: A Journal of Feminist Theory 29, no. 3 (2019): 218–234.
Jonathan Chambers, Eero Laine, K. Frances Lieder, Diana Looser, Beth Osborne, Heather Nathans, Danielle Rosvally, Kristen Wright. “What Comes Next?: Graduate Education, Contingent Labor & Professional Possibilities.” Theatre Topics 29, no. 2 (July 2019): 85–102.
Maaike Bleeker, Eero Laine, and Sean Metzger. “How PSi Works: The Practice of Performance Studies.” Critical Stages (2019). http://www.critical-stages.org/19/how-psi-works-the-practice-of-performance-studies/.
Eero Laine. “Form and Violence: Beyond Theatrical Content.” The Routledge Companion to Theatre and Politics, edited by Peter Eckersall and Helena Grehan. London: Routledge, 2019.
Eero Laine. “Marvel Universe Live.” Performance Review. Theatre Journal 71, no. 2 (June 2019): 218–219.
Felipe Cervera, Shawn Chua, Panayiotoa Demetriou, Areum Jeong Eero Laine, Azedeh Sharifim Evelyn Wan, and Asher Warren. “Orientations: Where is the Future Now?” GPS: Global Performance Studies 2, no. 2 (2019). http://gps.psi-web.org/issue-2-2/orientations/.
Eero Laine. “Editor’s Note.” Journal of Dramatic Theory and Criticism 33, no. 2 (Spring 2019): 1–3
Rob Carley, Stefanie A. Jones, Eero Laine, Chris Alen Sula. “Editors’ Introduction: Opening Access.” Lateral 8, no. 1 (2019). http://csalateral.org/issue/8-1/introduction-carley-laine-jones-sula/.
Eero Laine. “Editor’s Note.” Journal of Dramatic Theory and Criticism 34, no. 1 (Fall 2019): 7–8
Rob Carley, Stefanie A. Jones, Eero Laine, Chris Alen Sula. “Editors’ Introduction.” Lateral 8, no. 2 (2019). https://csalateral.org/issue/8-2/introduction-carley-jones-laine-sula/.
2018
David Allen and Eero Laine. “The Integrated Spectator: Theatre Audiences and Pedagogy.” Research in Drama Education 23, no. 4 (2018): 598–612.
Claire Warden, Broderick Chow, and Eero Laine. “Working Loose: A Response to ‘Donald Trump Shoots the Match’ by Sharon Mazer.” TDR: The Drama Review 62, no. 2, T238 (Summer 2018): 201–215.
Eero Laine. “Professional Wrestling Scholarship: Legitimacy and Kayfabe.” The Popular Culture Studies Journal 6, no. 1 (2018): 82–99.
Eero Laine. “Dramatic Theory?” Journal of Dramatic Theory and Criticism 32, no. 2 (Spring 2018): 49–52.
Stefanie A. Jones, Eero Laine, and Chris Alen Sula. “Editors’ Introduction: Marxism and Cultural Studies” Lateral 7, no. 1 (2018). http://csalateral.org/issue/7-1/introduction-marxism-cultural-studies-jones-laine-sula/.
Eero Laine. “Immersions in Cultural Difference: Tourism, War, Performance, by Natalie Alvarez.” Book Review. Journal of American Drama and Theatre 30, no. 2 (Spring 2018). http://jadtjournal.org/2018/05/28/immersions/.
2017
Felipe Cervera, Shawn Chua, João Florêncio, Eero Laine, and Evelyn Wan. “Thicker States.” GPS: Global Performance Studies 1, no. 1 (2017). http://gps.psi-web.org/issue-1-1/thicker-states/.
Eero Laine. “Stadium Sized Theatre: WWE and The World of Professional Wrestling” in Performance and Professional Wrestling, edited by Broderick Chow, Eero Laine, and Claire Warden, 39–47. London and New York: Routledge, 2017.
Felipe Cervera, Shawn Chua, João Florêncio, Eero Laine, and Evelyn Wan. “Syllabi for the Future: A Playlist, Curatorial Statement.” GPS: Global Performance Studies 1.2 (2017). http://gps.psi-web.org/issue-1-2/syllabi-future-playlist-2/.
Stefanie A. Jones, Eero Laine, and Chris Alen Sula. “Editors’ Introduction: Cultural Studies and Intersectionality as Intellectual Practice.” Lateral 6, no. 1 (2017). http://csalateral.org/issue/6-1/introduction-cultural-studies-intersectionality-intellectual-practice-jones-laine-sula/.
Broderick Chow, Eero Laine, and Claire Warden. “Introduction: Hamlet Doesn’t Blade: Professional Wrestling, Theatre, and Performance” in Performance and Professional Wrestling, edited by Broderick Chow, Eero Laine, and Claire Warden, 1–6. London and New York: Routledge, 2017.
Selected Previous Work
Eero Laine and David Allen. “Who Owns a Gesture?: Negotiating Creation and Collaboration in Theatre Arts Practice.” NANO 10 (December 2016). https://www.nanocrit.com/issues/issue10/who-owns-gesture-creation-and-collaboration-theatre-arts-practice.
Broderick Chow and Eero Laine. “Audience Affirmation and the Labour of Professional Wrestling.” Performance Research 19, no. 2 (June 2014): 44–53.
Eero Laine. “Bureaucracy.” In The Žižek Dictionary, edited by Rex Butler, 19–22. New York: Routledge, 2014.
Jessica Brater, Jessica Del Vecchio, Andrew Friedman, Bethany Holmstrom, Eero Laine, Donald Levit, Hillary Miller, David Savran, Carly Griffin Smith, Kenn Watt, Catherine Young, and Peter Zazzali. “’Let Our Freak Flags Fly’: Shrek the Musical and the Branding of Diversity.” Theatre Journal 62, no. 1 (May 2010): 151–172.
Eero Laine 